The thematic entries clued by wordplay only were the names of Giacomo Puccini and the lead soprano (S) and tenor (T) roles from five of his most popular operas: La Bohème, Tosca, Madama Butterfly, Turandot and Manon Lescaut. The puzzle marked the 100th anniversary of Puccini’s death.
Conventions: * = anagram, < = reversal
| No | Answer | Explanation |
|---|---|---|
| Across | ||
| 1 | SHAMA | A after SHAM |
| 5 | TURANDOT | TOUT < around RAND |
| 10 | CALAF | (Ea)C(h f)A(mi)L(y f)A(r o)F(f) |
| 11 | RODOLFO | FOOL * after ROD |
| 13 | ASCITES | ASS around CITE |
| 14 | RENATO | (Child)REN AT O(rphanage) |
| 15 | PINKERTON | PINK + (NOT + RE) < |
| 18 | SCORNS | CORN in SS |
| 19 | DIASTEMA | ADAMITES * |
| 21 | MIMI | M(aths) I(nstructors) M(ade) I(mmigrants) |
| 23 | CAVARADOSSI | RAD in (CAVA + (IS SO) <) |
| 26 | IAGO | I(s) A(wful) G(arrotting) O(thers) |
| 27 | FRONDENT | DEN in FRONT |
| 31 | AMELIA | A + MELIA |
| 34 | CIO-CIO-SAN | CIO + CIO + SAN |
| 35 | ONE-TWO | ONE TWO could be seen as 12 |
| 36 | PUCCINI | (I + NICE + CUP) < − E |
| 37 | MODIOLA | MOD + (v)IOLA |
| 38 | TOSCA | ASCOT * |
| 39 | ONYCHITE | (WHY NOTICE) * − W |
| 40 | STAYS | 2 meanings |
| Down | ||
| 1 | SCAPED | SCRAPED − R |
| 2 | HASIDIC | (sig)H AS I DIC(tate) |
| 3 | MAIKOS | AMOK * around I + S |
| 4 | AFTER-TAX | AFTER + TAX(a) |
| 5 | TIERCE | TIER + CE |
| 6 | RO-ROS | ROOS around R |
| 7 | NON-COMS | (k)NO(w) (age)NC(ies) (f)O(r) (stea)MS(hips) |
| 8 | OFTEN | O(ut) F(or) T(he) E(ntire) N(ight) |
| 9 | TOOTSIE | TIE around (b)OOTS |
| 12 | LAIRISED | (I + RISE) in LAD |
| 16 | TAMARAO | ((A + RAM) in OAT) < |
| 17 | LAAGERED | LA + AGREED * |
| 20 | CONVICTS | CON + VICTORS − OR |
| 22 | GIACOMO | (MAGIC + O + O) * |
| 24 | VOLATIC | VOLA + TIC |
| 25 | INFANCY | IN + FANCY |
| 28 | OSCULE | COLEUS * |
| 29 | DOOCOT | DOOCE + OT − E |
| 30 | TENIAS | (ho)TE(ls) (de)NI(ed) (c)AS(h) |
| 32 | MANON | MAN + ON |
| 33 | AIOLI | (Dub)AI OLI(ves) |