The first and last characters of extra words in down clues delivered “That’s basic spelling that every woman ought to know”, the conclusion of a quotation by Mistinguett that starts with “A kiss can be a comma, a question mark or an exclamation point.” Accordingly, the three clashes in row 5, where entering an X (kiss) for each would have made real words, formed COMMA, QUERY and PLING and were replaced by the respective punctuation marks , ? and !. The clashes in rows 10 and 11 yielded synonyms for “kiss” (SMACK, BUSS, PECK), each being represented by an X. The unclued 17dn was “Play it, Sam”, a quotation from the film Casablanca, where the pianist is asked to play As Time Goes By, the second line of which is “A kiss is still a kiss”. Accordingly, the latter three “kisses” were not converted to punctuation. Roald Dahl wrote a collection of short stories entitled Kiss Kiss. The answer to 1ac was thematic and its clue lacked a definition. The clue for 44ac contained the thematic set of punctuation marks (, ? !) in order. The puzzle’s title refers to the common misquotation of the line from the film as “Play it again, Sam.”
Conventions: * = anagram, < = reversal
No | Extra word | Answer | Explanation |
---|---|---|---|
Across | |||
1 | INTEROSCULATE | CU(r) in (INTER + OS + LATE) | |
11 | CAESURAL | (A + RUSE) < in (s)CAL(e) | |
14 | MIL | homophone of MILL | |
15 | ANILE | NIL in AE | |
16 | EERIE | (b)EER + IE | |
17 | PREY | PREMY − M | |
18 | RABID | B in RAID | |
19 | LAMA | HAMAL < − H | |
20 | HOARY | HO + ARY | |
21 | BOINGED | BOEING with E moved + ’D | |
22 | ASPS | A(nalyst) S(ees) P(hallic) S(ymbols) | |
24 | MISLAY | MI + SLAY | |
26 | YAUP | AY < + UP | |
30 | ROTA | homophone of WROTE + A | |
31 | PAPUAN | APU in PAN | |
34 | TRODE | (Poe)T + RODE | |
35 | THIN | HINT with T moved to the front | |
37 | OIL | LIO(n) < | |
38 | ASKING | A-G around SKIN | |
39 | ÉPÉES | E + PEES | |
40 | ANELE | HELENA < − H(ermia) | |
41 | ABUSION | A + BUS + I’ + ON | |
42 | EMU | (f)EMU(r) | |
43 | BEDSTRAW | (D in BEST) + RAW | |
44 | DELETERIOUSLY | (ELDERLY + E + SUITO(r)) * | |
Down | |||
2 | though | NAIRAS | (AS NIGERIAN) * = (N(e)E(d)I(n)G + NAIRAS) * |
3 | agent | TELECOM | (LET COME) * |
4 | ’otels | RUNYON | RUN + YON |
5 | Burma | ORIYA | ROYA(l) * around I |
6 | Saudi | SALIQUE | AS < + QU in LIE |
7 | Classics | CLERISY | CLASSY with SIRE < for ASS |
8 | particle | USEABLE | U + E in SABLE |
9 | lull | LEE-BOARD | ((AB around O’) in REEL) < + D |
10 | ignition | TRIDENT | RIDE in TNT |
12 | got | TRIPLY | TRIP + L(argel)Y |
13 | hyena | DEAD-FALLS | (F + LAD) * in DEALS |
23 | textile | SPADILLE | AD in SPILLED − D |
25 | vegetable | ITA | (fru)IT A(nd) |
27 | ready | ARRANGE | RANG in ARE |
28 | who | OPENEST | (ONE’S PET) * |
29 | Mafia | AUFGABE | (AUG + ABE) around F |
31 | no | POMACES | POM + ACES |
32 | unsettling | TIFOSO | (SO + FIT) < + (Torin)O |
33 | host | HIEMAL | ((T)ALE + HIM) * |
35 | Two | TASER | (R + TASER) * = ARREST |
36 | known | HEIDI | DIE < in HI; ref. Johanna Spyri character |
37 | outlaw | OCKERS | (r)OCKERS |