The letters that “escaped” from clues into grid entries or vice versa spelt out “three openings; destroyed by fire; At Swim-Two-Birds”. Flann O’Brien’s novel has three openings, for stories featuring the Pooka MacPhellimey, John Furriskey and Finn Mac Cool. The stories combine and all the characters eventually meet up in The Red Swan Hotel, plotting to torture their author, Dermot Trellis. Trellis is himself fictional, and his author makes his maid burn his papers; thus Trellis’s characters are destroyed by fire and Trellis escapes torture.
The initial grid is shown here. The circled letters were changed to show POOKA, FURRISKEY and MAC COOL starting from the ends of words in the perimeter that mean “opening” (GAP, START and PROEM respectively) and following the green paths inward to THE RED SWAN HOTEL. The initial letters of the extra words in clues, in clue order, were ARAROED (in the yellow cells here); changing them to the extra words’ last letters, MOTTRLI, showed DERMOT TRELLIS getting away (following the blue path). Alternative paths with either of the Es in 40dn changed to L were accepted, though these involved diagonal moves.
For the nine characters (letters) inside the Red Swan Hotel being “destroyed by fire”, any illustration of fire or ash, however crude (including plain shading), was accepted, with the letters either erased (having been destroyed) or extant (ie, showing them being destroyed). Totally blank cells were also accepted.
Conventions: * = anagram, < = reversal
No | Letter [missing] or (extra)/ |
Answer | Explanation |
---|---|---|---|
Across | |||
2 | Fores[T] | IGAPÓ | I’ + G + A + P(utting) O(ff) |
7 | s[H]ort | TALC | ITALIC − I − I |
11 | Affirm | TIKA | (swas)TIKA |
12 | t[R]ends | FETIDEST | TIDES in F(ootballers) E(ntering) T(ackle) |
13 | nap[E] | APEDOM | (n)APE DOM(inating) |
15 | on[E] | PERIL | PER + I + L |
16 | Ro(O)ster | ROTULA | ROTA around (U + L) |
17 | [P]art | YET | (Sk)YE T(rails) |
19 | (E)ton | TO-BE | OBE after T |
22 | gri[N]d | HOUND | (POUND − P) after H |
23 | Mo(I)st | DRUSIEST | SI in RUSTED * |
26 | ha[N]d | DEI | DELI − L |
27 | risotto | DRUPE | (UP RED) * |
28 | adult | ITAS | (A + T(roubles) + IS) * |
29 | [G]Aunt | LEAD ON | LEAN around DO |
31 | club(S) | INTER SE | INTER + homophone of SAY |
34 | (D)acosta | DANS | DANSEUR − EUR |
35 | Antenna(E) | AREAL | homophone of AERIAL |
37 | [S]harp | ARID | ACRID − C |
39 | restrain(T)s | ERINITE | (wat)ER IN IT E(ases) |
41 | [R]Ex | ANTHER | (RATHER − R) around N |
42 | b[O]red | SPEELERS | S(hrub)S around PEELER |
43 | (Y)early | UPSEY | UPS + E(ver)Y |
44 | rag(E)s | SHREDS | S + H + REDS |
45 | recent | ROEMER | homophone of RUMOUR |
Down | |||
1 | other | STAR | RATS < |
2 | route[D] | TIPTOEING | (I GOT EN) * after TIP |
3 | [B]and | GAEL | LEAGUE < − EU |
4 | tin[Y] | PRO | (s)PRO(g) |
5 | un(F)it | FOEMEN | (O + EM) in FEN |
6 | Mun(I)ch | BITE | BIT + E |
7 | Dance(R) | TRIPTOTE | TRIP + TOTE |
8 | Pancr[E]as | ADENOID | (l)AD around ((ONE + D) < + I) |
9 | le[A]d | HEREUNTO | HERO around TUNE * |
10 | s[T]ays | CLADISTS | C + LASTS around DI |
14 | electrical | DAWS | DRAWS − R |
18 | [S]trap | UNCANNIER | CAN in (REIN + NU) < |
19 | so(W)n | TAWDRINESS | (SIR WANTED + S) * |
20 | Edg[I]er | BRITTLER | BITTER around R,L separately |
21 | (M)um | MAERL | ER in MAL |
24 | Dalí | UNKENNED | (p)UNK + (p)ENNED |
25 | for[T] | PAT | PA + T(reaty) |
27 | bre[W]ed | DRAILS | LIZARDS * − Z |
30 | to(O) | GOWAN | GO WAN |
32 | (B)east | HARBOR | BOR after (HARE − E) |
33 | marr[I]ed | STUM | STU(b) + M |
36 | lecture[R] | LAO | (O/A + L) < |
38 | [D]itched | REP | (c)RÊP(y) |
40 | (S)pawn | SEEP | SEE + P |