The extra letters from wordplay spelt out “title of part two of Eliot’s The Waste Land”, referring to A Game of Chess, which is formed by the letters discarded from clashes. The clash letters entered in the grid show the chesspieces in a position from Alexander Alekhine’s win against Aaron Nimzowitsch in 1930. The position shows “Alekhine’s gun”, a powerful arrangement of rooks and queen that Alekhine devised. Distinguishing the black and white pieces wasn’t required in the solution.
Conventions: * = anagram, < = reversal
| No | Answer | Explanation [extra letter] |
|---|---|---|
| Across | ||
| 1 | PRESCISSIONS | (INCISORS + PLIERS + S) * − (d)RIL(l) * |
| 11 | ROSEAL | OR < + SEA + L |
| 12 | TALBOT | TOT around LAB * |
| 13 | INVAR | INV + AR[T] |
| 14 | SELLS | L in SE[I]LS |
| 15 | NEPER | NE[T] + PER |
| 17 | DICER | CRI(pp)[L]ED * |
| 19 | OPEN UP | (PEOPL[E] * − L(eniency)) around NU |
| 21 | OPIUM | O[O]M around PIÙ |
| 22 | EMU | [F]UME < |
| 23 | LOPE | L + [P]OPE |
| 28 | POPS | PO + [A]SP < |
| 30 | OBA | O[R]B + A(fricans) |
| 31 | SHELF | F(armer) after SHEL[T](y) |
| 32 | TENPIN | TEN[T] + PIN(t) |
| 34 | RIDER | RR around [W]IDE |
| 36 | YAKUT | UT after [O]KAY < |
| 37 | MAQUI | MAR[O]QUIN − R − N |
| 39 | ADAGE | [F]AD + AGE |
| 40 | AMATOL | AM + A + TOL(l) |
| 41 | STELAR | ALERTS * |
| 42 | MIDSUMMER-MEN | (M + M + M + M + UREDINES) * |
| Down | ||
| 1 | PRINTER’S REAM | PRAM around REINSERT * |
| 2 | RONEO | (ONE OR) * |
| 3 | SEA EEL | SEAL around (E + E + [E]) |
| 4 | CASE | EUC[L]ASE − EU |
| 5 | ILK | SILK[I]LY − SLY |
| 6 | STEN | ST[O]NE * |
| 7 | ILLIAD | LI[T] < + DAIL < |
| 8 | OBS | [S]OB + S(tating) |
| 9 | NOSE UP | NOUP around SE(t) |
| 10 | STORM LANTERN | STERN around (NORMAL * + T) |
| 16 | QUAG | QUA[T] + G |
| 17 | DOP | D + [H]OP |
| 18 | CIPPI | PI[E] after CIP |
| 20 | CUBED | CUB + [W]E’D |
| 24 | POEM | POE + [A]M |
| 25 | DHIMMI | (MIDRASHIM − RAS) * |
| 26 | PLEATS | PLEA[S] + T(hi)S |
| 27 | ARM | AR[T] + M |
| 29 | SHADER | HEAD[E]RS * |
| 33 | NUGAE | GAE after NU |
| 35 | CULM | M(owing) after CUL[L] |
| 36 | YATE | AY < + TE[A] |
| 37 | MAD | MA[N]DELA − E-LA |
| 38 | ISM | IS + M[D] |