Removals from the grid mimicked the musicians’ leaving the stage in Haydn’s Farewell Symphony (No. 45). The original performance in 1772 ended with two players remaining, one of whom was Haydn; here, just H for Haydn is left in the top part of the grid. The highlighted empty cells in the top row contained STAGE.
Conventions: * = anagram, < = reversal
No | Misprint/removed letters | Answer | Explanation |
---|---|---|---|
Across | |||
1 | WAURST | WARS around U + (lec)T(ure) | |
6 | (H)and | AGENCY | (r)ACY around GEN |
10 | SHEER-HULK | SULK around (H + HERE *) | |
11 | (ai)ring | OLDIE | O + LIE around D |
12 | (ran)king | RASCAL | R + A + SCAL(e) |
13 | (woo)den | DEEM | DE(n) + EM |
14 | c(A)ll | RING | (b)RIG around N |
16 | CLAUD | CLAD around U | |
18 | (mis)take | CERN | R in CEN |
19 | RESCUED | RES(t) + CUED | |
22 | ACOLD | ACOL + D(efrost) | |
24 | Past(Y) | ASHEN | ASH + (th)E (decoratio)N |
25 | A(ire) | SIMILAR | (R + A + LIMITS − T) < |
26 | fa(ncy) | FARE | RE after FA |
29 | LIE TO | 2 meanings | |
30 | w(alk)ing | KITE | KIT + E(xcited) |
31 | R(age) | BRIG | R in BIG |
33 | HUMUSY | HUM + BUSY − B | |
34 | PHONY | PONY around H(ouse) | |
35 | ANALEMMAS | ANAL + M in SAME < | |
36 | CESURA | SURA after CE | |
37 | t(all) | ASTARE | ASTARTE − T |
Down | |||
1 | co(ur)t | WOODCRAFT | (WARD OF COT) * |
2 | ALLELES | ALLES around LE | |
3 | t(ul)ips | URDÉ | (colo)UR DE(sired) |
4 | chi(D)e | SHEND | SH + END |
5 | TERRIES | TIES around ERR | |
6 | (N)est | AERIE | I in AERE |
7 | GRANNAM | (RAN + N) in GAM | |
8 | NUCLEOLE | U in (ONE CELL) * | |
9 | den(ts) | CLAIR | C(ar) + LAIR |
15 | grey(hen) | ANDROGYNE | (GREY AND NO) * |
17 | (Sc)are | ASHRAMAS | A + SHAMAS around R |
20 | UNWISER | (RUINS WE) * | |
21 | DILEMMA | I’D < + (M + M) in LEA | |
23 | LATINER | LATER around (I + N) | |
27 | roll(ed) | ABUNE | E after (A + BUN) |
28 | m(err)y | ETYMA | (A + MY + T + E) < |
29 | (gl)ass | LIPAS | LIP + AS(s) |
32 | o(rde)r | ROMA | OR < + MA |