A “mobile phone” (ie, a jumble of PHONE) was banned in some answers. The title was Forlor(n Hope), similarly treated. The highlighted diagonal contained “I’m on the train”, a frequent refrain of mobile phone users on trains. Extra letters from wordplay gave “motif based on Gran Vals by Francisco Tárrega”, referring to the ubiquitous Nokia ringtone and the guitar composition by Francisco de Asís Tárrega y Eixea on which it is based.
Conventions: * = anagram, < = reversal
No | Answer | Explanation [extra letter] |
---|---|---|
Across | ||
1 | IONA | [M]AN < after IO |
5 | STA(NHOPE) PRESS | (SPO[O]NER’S PET HAS) * |
10 | OMELET | MELÉ(e) in OT[T] |
11 | AMUCK | A[I] + MUCK |
13 | AROINTING | INTO * in [F]ARING |
14 | CANNAE | CANE around [B]AN < |
15 | X(ENOPH)OBE | [A]XE + HOB in NOPE |
16 | THI(OPHEN)ES | (SHEEP [S]HOT IN) * |
18 | OATH | (l)OATH[E](s) |
20 | HAWKIES | HAWK + I[D] ES(t) |
22 | BRANSLE | (BRA’S + [O]LÉ) around N |
24 | OR SO | OR + SO[N] |
25 | AGENT | [G]AGE + NT |
29 | TEL(EPHON)Y | LETTE[R] * − T + PHONY |
31 | BARCAS | R[A]C in SAAB < |
32 | BAVARDAGE | (VR around A) in BA[N]DAGE |
33 | C(OPENH)AGEN | (PEN + HAG) in CO[V]EN |
34 | AMELIA | AA around (M[A] + ELI) |
35 | FLYPASTS | FLY + PA[L]S around ST |
36 | AL(PENHO)RN | [S]HORN after PLANE * |
Down | ||
2 | OMRAH | (t)OM[B] + RAH |
3 | NEONATAL | (ANNO[Y] + TALE) * |
4 | A(NOPHE)LINE | (NO HELP) * in (A + [F]INE) |
5 | SENATES | SEN + [R]ATES |
6 | ALICIA | ALI[A](s) + CIA |
7 | PANNE | ANN in PE[N] |
8 | EURO | (ORE around [C]U) < |
9 | SCABIES | (C + ABIES) in S[I] |
12 | KEEPS (OPEN H)OUSE | (PENTHOUSE − T) after (KEEP + SO[S]) |
13 | ACROBATIC | ACROSTIC with BA[C](k) for S |
17 | BIRDCALL | BIRD + L[O]CAL * |
19 | ARSENAL | [T]ARSAL around NE < |
21 | WIT(H OPEN) ARMS | (THE PARIS WOM[A]N) * |
23 | LEAVES | LEAVE[R]S |
26 | GUANA | (Nicara)GUAN [R]A(inforest) |
27 | ARDEA | (d)[E]AR, DEA(r) |
28 | JAGIR | G(o)I(n)[G] in JAR |
30 | (NEPHO)LOGY | (P[A] + H) in NEOLOGY |